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Three Men in a Boat
Three Men in a Boat is considered an important work of the Victorian comic texts, affording the reader a genuine insight into the morals and social mores of the period. It shares this status with George Grossmith's The Diary of a Nobody, though Three Men in a Boat is less targeted in its satire of class differences and social pretensions.
First edition, second printing with the number '11' present in the publisher's address; 8vo (190 x 140 mm); illustrations by A. Frederics; contemporary ink ownership to first page, dated '1903', a few random spots, a couple of mild instances of finger-soiling, otherwise very good; publisher's cloth boards, panelled in black to upper boards, gilt lettering to spine, lacking front free endpaper, binding worn, soiled but sound.
First edition, second printing with the number '11' present in the publisher's address; 8vo (190 x 140 mm); illustrations by A. Frederics; contemporary ink ownership to first page, dated '1903', a few random spots, a couple of mild instances of finger-soiling, otherwise very good; publisher's cloth boards, panelled in black to upper boards, gilt lettering to spine, lacking front free endpaper, binding worn, soiled but sound.
$553.38
Three Men in a Boat—
$553.38
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Description
Three Men in a Boat is considered an important work of the Victorian comic texts, affording the reader a genuine insight into the morals and social mores of the period. It shares this status with George Grossmith's The Diary of a Nobody, though Three Men in a Boat is less targeted in its satire of class differences and social pretensions.
First edition, second printing with the number '11' present in the publisher's address; 8vo (190 x 140 mm); illustrations by A. Frederics; contemporary ink ownership to first page, dated '1903', a few random spots, a couple of mild instances of finger-soiling, otherwise very good; publisher's cloth boards, panelled in black to upper boards, gilt lettering to spine, lacking front free endpaper, binding worn, soiled but sound.
First edition, second printing with the number '11' present in the publisher's address; 8vo (190 x 140 mm); illustrations by A. Frederics; contemporary ink ownership to first page, dated '1903', a few random spots, a couple of mild instances of finger-soiling, otherwise very good; publisher's cloth boards, panelled in black to upper boards, gilt lettering to spine, lacking front free endpaper, binding worn, soiled but sound.





