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Young London: Permissive Paradise.
'What is happening in London? Is it wicked or creative, lazy or productive, a sign of decadence or a cause for hope? Is Young London of the 1960's the new earthly paradise or is it plummeting into premature destruction?
Frank Habicht's photographs of London at the end of the sixties are prefaced by two introductory essays. The first, by Heather Cremonosi, defends Young London, and the second, by Robert Bruce, attacks it.
First edition; (304 x 249 mm, 12 x 9Âľ in); black-and-white photographs; photo-illustrated endpapers with light foxing, blue cloth-covered boards with titles to spine in silver, mottling to sides, photo-illustrated dust-jacket printed in black and bronze, text in white, toned, creasing to laminate, wear to extremities, a very good copy; xvi, 96pp.
Frank Habicht's photographs of London at the end of the sixties are prefaced by two introductory essays. The first, by Heather Cremonosi, defends Young London, and the second, by Robert Bruce, attacks it.
First edition; (304 x 249 mm, 12 x 9Âľ in); black-and-white photographs; photo-illustrated endpapers with light foxing, blue cloth-covered boards with titles to spine in silver, mottling to sides, photo-illustrated dust-jacket printed in black and bronze, text in white, toned, creasing to laminate, wear to extremities, a very good copy; xvi, 96pp.
$13,668.68
Original: $45,562.28
-70%Young London: Permissive Paradise.—
$45,562.28
$13,668.68Product Information
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Description
'What is happening in London? Is it wicked or creative, lazy or productive, a sign of decadence or a cause for hope? Is Young London of the 1960's the new earthly paradise or is it plummeting into premature destruction?
Frank Habicht's photographs of London at the end of the sixties are prefaced by two introductory essays. The first, by Heather Cremonosi, defends Young London, and the second, by Robert Bruce, attacks it.
First edition; (304 x 249 mm, 12 x 9Âľ in); black-and-white photographs; photo-illustrated endpapers with light foxing, blue cloth-covered boards with titles to spine in silver, mottling to sides, photo-illustrated dust-jacket printed in black and bronze, text in white, toned, creasing to laminate, wear to extremities, a very good copy; xvi, 96pp.
Frank Habicht's photographs of London at the end of the sixties are prefaced by two introductory essays. The first, by Heather Cremonosi, defends Young London, and the second, by Robert Bruce, attacks it.
First edition; (304 x 249 mm, 12 x 9Âľ in); black-and-white photographs; photo-illustrated endpapers with light foxing, blue cloth-covered boards with titles to spine in silver, mottling to sides, photo-illustrated dust-jacket printed in black and bronze, text in white, toned, creasing to laminate, wear to extremities, a very good copy; xvi, 96pp.
